christoph abele aka catekk is very young but an adept. for years not only resident-dj of the legendary club flex in vienna but also live-act, sound engineer and together with christopher groove a promising producer-duo. even though catekk and groove have only been working together since 2010, they already produced for scene-headliners such as felix da housecat or marco bailey. however, catekk not only produces thrilling pieces for the just named heroes - his own releases can be found in countless vinyl bags and dj-charts. now the label houztekk records is releasing a long hidden jewel from catekks live-repertoire.

support from miguel migs, king britt, tedd patterson, master h, jammie thinnes, master kev, deep josh, russell pollitt, dalminjo, roussia, michael fossati, dj jorj... its almost winter time but stalwart has decided to refuse to let go on this depressing vibe !! with its 18th release, stalwart hopes to bring some sun in your heads and ears with this track from portuguese dj and producer deep djoe, sung by superstar portuguese soul singer veronica larrenne. >sing 4 u everyday< is a melodic funky soulful song full of live instruments giving it a warm, qualitative, singalong appeal. the groove will take you straight to the dancefloor, and the vibe to a warmer place near a beach or a swimming pool !! receiving heavy feedback, the original tune has been given the remix treatment from our heavyweight friend aaron ross who delivers a mood ii swing-like vocal dub version. dj rork added a different, more complex groove to the original track with his rework, while up-and-coming french talent thomas toccafondi had delivered a minimal, groovy and hypnotic dub, giving this package a wide appeal

with their sixth release klangfarbe schallplatten from cologne presents the first full time ep of the french artists jules & moss, after they contributed two tracks to the split ep >them van / sick up< (kla03) with holger brauns & tim wagner, released end of the last year on klangfarbe schallplatten. jules & moss are worldwide known for their dj sets, they are also performing drum & live acts - at the zoo project (ibiza) or the full moon parties (thailand). there will be more releases soon on claude von strokes label dirty bird (usa) and the german label >session de luxe<. the ep contains three new tracks and one remix. kapoun is a cool & sophisticated accordion track in a typical french tradition, but with a modern groove

performed live in berlin at volksbuehne by zeitkratzer & terre thaemlitz.

the live musician sebastian studnitzky lives in berlin and plays with renowned artists such as jazzanova live, nils landgren, mezzoforte, etc. on an international level. now he is mixing his jazz-background with electronic sounds.

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

12inch full of music with a definite sense of place. eerie synthesiser pulses, funk-infused drums and languid guitar-scapes have been part of the musical topology of düsseldorf since the early seventies: and this particular release pays full tribute to that legacy, with jagd auf den hirsch (hunt for the stag) comprising an eerie piece of swampy lazer-forest rock. this sound is also a modern day staple of düsseldorfs nightlife at the salon des amateurs, a small bar attached to the kunsthalle art gallery that is an oasis of hypnotic disco nightmares. the salon is where der räuber und der prinz made their first live appearance in 2008 (when the original composition for moogwalzer was debuted), and both members of the band frequently play there: ralf beck with his bodyrocking club act unit 4 and sebastian as half of art-rock duo noblesse oblige. meanwhile two of the guests on this release - detlef weinrich also known as toulouse lowtrax, contributing words about a ghostly maiden on moogwalzer, and thomas klein contributing drums to jagd auf den hirsch - are both original members of the quintessential düsseldorf act kreidler. salon dj resident vladimir ivkovic also had a hand in the creative clarion call for the jagd auf den hirsch (hunt for the stag). to complete the circle, düsseldorfs new resident and desolat mainstay guti wrote his remix in the middle of the night in buenos aires, as a kind of letter to his new home-to-be. there we have it: a true tribute to a city we love, with tracks for the dancefloor as well as moments of melancholic contemplation.

philipp >santé< maier has made some crucial intrusions on souvenir: almost a brother-in-law for ali and basti schwarz, he has been fine-tuning tiefschwarz latest album >chocolate< , plugged the power to their new live-act and contributed daily to the good-working order of the imprint at kremmerer straße. as a producer on his own, philipp has got the soul as well as the muscles, two elements perfectly combined, which have made his live-sets one of the most exciting performances of the current berlin scene.

lush analog disco from the enigmatic megadon betamax collective. super warm live synths and a catchy falsetto hook on the vocal version will put a hump in your shoulder. as always a highly limited and collectable 12 on voyeurrhythm with sweet retro futuristic disco tracks.

two big edits here from the italian isoul8 aka volcov, feat. obviously two of the greatest voices on our planet, dancefloor-action guaranteed - enjoy the vinyl!

das absolut überzeugendste techno/house-live-orchester der welt! akustische dance-musik, >die sich anhört als hätte man steve reich und theo parrish auf einen nenner gebracht< (groove).

miss djax has turned dancefloors upside down with her pumping live version of >respect<. now this version is available on vinyl. at the b-side brandnew track >the joker< and guess who this joker is.... already big supported by pet duo and dj rush.

after a very brief lull in activity over the latter part of the summer, we re very excited to be back up and running and present a fantastic new collection of songs from one of our favorite producers, the esteemed russ gabriel. having long been a pioneering producer, dj and live act as well as a hugely respected studio producer, russ has returned to the dieb audio fold and graced us with 4 exceptional new works.
the >knossos< ep, as the collection is known, showcases a diverse palette on russ part, ranging from visceral, heads-down dancefloor material, to intelligent, emotive house productions, in a polished, thorough manner, that defines his work. fans of his sound will instantly grasp his simple, effortless style of fusing together elements and creating classy, functional arrangements. one thing is always guaranteed and delivered with russ: quality.

denmarks most forward thinking export trentemøller announces a new single on his own -in my room- label, twisting 60s psychedelia into a modern electronic-punk beatdown, complete with remixes from none other than andrew weatherall, lulu rouge and trentemøller himself. packed with overdriven synth and guitar textures, live/processed drums and a pacy, apocalyptic vibe, the original version of the remarkable -silver surfer, ghost rider go!!!- taken from the new album ,-into the great wide yonder- is perhaps anders trentemøllers ode to some of the many other spectrums of electronic music and noise that he loves

mit ynk hat tenderpark einen spannenden newcomer gesignt, der mit live eingespielten grooves ein wahres feuerwerk an drum-variationen abbrennt, die ein sehr abwechslungsreiches, warmes live-feeling erzeugen. auf sunday sermon herrscht so eine konstant brodelnde, unterschwellige spannung, die immer kurz vor dem ausbruch zu stehen scheint. mit dem saenger eddy pirax hat ynk den herrlich souligen track takin u back aufgenommen, der sehr viel klassisches house-feeling verströmt. und twistin erinnert uns in seiner knochentrockenen konsequenz fast schon an eine runtergepitchte dancemania-platte. naja, nicht ganz natuerlich, aber wenn ihr den track hoert, wisst ihr, was wir meinen.

heads up folks! two club reworks of the soil&pimp sessions jazz-punk juggernaut >pop korn< by doc daneeka and wafa!
soil&pimp sessions are a jazz sextet from japan renowned for their flamboyant musicianship and style. their live show – dubbed death jazz – will melt your face. >pop korn< (taken from the bands sixth studio album) routinely incites riotous behaviour at gigs so was an obvious choice for the remix treatment.

rapids! play dark indie in their own unique style. hailing from the distinctly un-angular art punk town of bournemouth, the band have quickly come to the notice of bands and radio alike. opening shows for the likes of the chapman family and errors, the band have a live show that transfixes audiences. without any team around them in the early days, the band also gained notice from steve lamacq, john kennedy and tom robinson with steve lamacq interviewing matt holliday on air on his 6music show.

following the announcement of a string of international live dates, lykke li is proud to unveil the first taste - >get some< single - from her much-awaited second album. available from october 25th and featuring two new tracks >get some< and >paris blue<, the ep will be available to purchase on a limited edition 7inch vinyl from selected uk record ... lykke li will be performing live at a sold-out show at new yorks le poisson rouge on december 1st. shell perform new material as well as tracks from her debut album including, >im good, im gone<, >dance, dance, dance< and >little bit<. the follow up to lykke lis 2008 debut album youth novels is set for release early next year. produced once again by björn yttling from peter, bjorn & john. her last album was voted of one of q magazine’s top albums of 2008 and the independent listed youth novels as one of the best albums of the decade

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

first of 3 volumes taken from the incredibly rare japan only cd release inner films 70 from 2009. the sketch is simple, modern disco artists take on seminal film scores from the 70s and give them a twist. first we have norweigan disco wizard prins thomass take on the theme from rocky – gonna fly now. all live instrumentation… thisll rock your socks off. on the flip japanese artist foog (mule musiq) gives the theme from close encounters of the third kind a new lick of paint, while fellow japanese sonic adventurer hideo kobayashi (apt. international / bite grooves) turns rhapsody in blue into a tech-y workout.

darling farah is like a shot of adrenalin, administered by his own mind to escape from the anesthetized music scene of his home, the united arab emirates. despite living in one of the most club baron countries in the world and a city that actually prohibits live music to be played in public, the talented eighteen year old has managed to master the art of production and therein spawn an underground scene all on his own.

awkward movements returns to release the debut from londons dodger man ? one of the most talked-about new producers of the last 12 months. and with good reason. dodger mans multi-instrumentalist background opened the door for his high-profile sets bombed with back-to-back dubs of his own creation. his workings played-out live have gained him a reputation as one of the top emerging djs, the height of which came following an impressive set at bloc weekend, after being hand- picked by joy orbison to share the bill. the natural alignment with awkward movements has served up his highly-anticipated debut record, and it doesnt disappoint.

nice price deal !!! prinzhorn dance school announce their return with new single – >seed, crop, harvest.< we havent heard a thing from tobin prinz and suzi horn for three years (their debut lp was released on dfa back in 2007) but theyve been far from work-shy. they toured extensively, then came home and built their own bespoke recording studio (the red shed) – and learned how to use it. time consuming endeavors which saw them drop off the music radar. which might just explain the title of the equally charged b-side >off the radar, off the system<. in their own words: >weve been busy. just not busy making records. you have to live too. you can only write so many songs about motorway service stations and airports<. they recorded and mixed both songs themselves in the red shed, with bob weston taking on mastering duties. …prinzhorn dance school are back! and dfa could not be more proud

ninja tune records have kindly allowed aus music to release some of sideshows deep, intensely dubbed-out interpretations of the latest fink album sort of revolution, the critically acclaimed international singer-songwriters third album for the legendary stable. on the vinyl we have the two sideshow rubs of the albums lead singles. sort of dubolution (a dub of the albums title track), comes as a classic sideshow live dub epic, drenched in fink?s signature vocals alongside an earth-moving bass line. follower dub it all (an edit of finkssee it all) is a stabbier, angular take on the original reminiscent of scubas recent late-night masterpieces.

ltd repress on black vinyl! with a huge edit from daniel stefanik of the butch summer hit no worries and johnny d. power to the people remix with live vocals by himself from his last hit love or leave me.

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

steve laviers motivators collective return with their second release on the excellent here and now recordings! following on from the success of the first 12 (which included jobu being licensed to the legendary jazz bizniz compilation series and a remix by reverso 68) these new tracks continue in the vein of raw, live, polyrhythmic grooves. on the a-side, boosters on is a driving energy-packed track with the former manu dibango rhythm section of noel ekwabi and conti bilong being impressively complemented by yam whos des morgan on congas and bongos. keys are provided by afrika mhkinse (who played with the late great miriam makeba) and faze actions multi-talented rob lee. trombone is laid down by tony trombony hayden who has played with numerous acts including quantic soul orchestra. last but by no means least, vocals come courtesy of hannah khemoh who has most recently been touring as backing vocalist for the incomparable grace jones! on the flip, r2 is a laid-back improvised afro-jazz session, with the musicians laying down some serious feel-good sounds. all this produced by rob lee in the faze action studio.

supported by sasse , wolf& lamb, djulz, trickski, chris duckenfield, willie graff, vera, huxley, afrilounge, lee jones, kris wadsworth, yakine, hauke freer, james teej (rekids),.. yes, its the man again, iron curtis! he has been climbing up for the last few months with various top releases (like on mule electronique, hudd traxx, undertones or his dirt crew recordings remix) and this is another proof why iron curtis is a man to watch. its all there: fat basslines, well crafted beats and great synths. real neighbour baaz (no joke, they live door to door) is adding a smooth remix to finish this well balanced pack. go and get 70!

welcome back fairmont!
born in the precious year of punk rock 1977, the toronto based artist has always clung with his heart to the likes of the stooges, t. rex, spacemen 3 and so for us it is no surprise that jake makes a tight connection here also with his alias fairmont. fairmont is considered the semi-famous soft side project of producer jake fairley which has become more and more famous over the years. again jake shows a great insight of electronic music and makes this ep a gripping journey.

we present a new artist on echocord colour. we are presenting one of the currently most interesting berlin modern techno music producers today mike dehnert. he is founder of the label fachwerk records on which he is publishing under his own name. his live acts and dj sets are as remarkable as his productions and you wont ever hear him playing any self-pleasing or incidental grooves. mostly mike is playing his own unpublished tracks. he did just put his ability to the test within collabarations with clone rec and the clone basement series. on the super limited md2 series mike dehnert is presenting again his variety in music. for echocord colour he did 3 striped killer berlin flavoured techno-dub/house tracks, for all dancefloors out there.

organ-driven afro-beat, cosmic afro-funk and raw, psychedelic boogie... just some of the flavours to be found on this highly danceable compilation by samy ben redjeb, founder of analog africa. no effort has been spared!
to document these 15 irresistible tracks and the music scene from the 70s, samy crisscrossed the lengths of ghana and togo in search of the producers and artists - or their relatives. in the process he recorded a dozen interviews, scanned 90 pictures and transferred 120 master tapes. afro-beat airway showcases an amazing diversity of local rhythms spiced with afro-american funk, soul and jazz.

remastered original and 2007 live version of this morissey classic.

contains the remastered version of >every day is like sunday< and the previously unreleased >trash<, recorded live @ pacific amphitheatre, costa mesa, ca in 1991.

inspired by the stripped back technical set-ups of yesteryear, mike monday and will saul present the sequence 1 ep, the product of the two artists limiting themselves to a roland 909, a korg kaos pad, a dave smith polyevolver and recording their jamming on the fly. >we wanted to inject some excitement, energy and randomness into this release, so decided to play the tracks live with mike on the 909 and keys and will on filters and effects. we had a broad idea of where we were going before we pressed record, and recorded a few takes of each track, then took the best moments from each. the big challenge was reining in the slightly chaotic recordings, but after some tweaking we found a balance between old school rawness and modern production values.<

now also in dj friendly black vinyl available ... der track aus dapayks live act der fusion 2010! nach vielfachem wunsch nun als vinyl only!

incl. daniel stefanik edit , pressed on marbeled red / black vinyl! special marbled black-red colored vinyl with a huge edit from daniel stefanik of the butch summer hit no worries and johnny d. power to the people remix with live vocals by himself from his last hit love or leave me. watch out for this cecille special release !! ltd to 800 copies ww

mlms live show now incorporates a full brass section and drummer, accentuating the elements of carnivalesque ska and heightening their collective energy. this, combined with johnnys unique lyrical style, sees the band form a new fuller sound, merging their playful melodies with a powerful back line. young british singer, jessie ware (who has also sung for jack penate), a bright new talent, has also joined them to offer soulful vocals. the >lovestruck< ep reveals a more refined method of writing infectious and original british music. their new approach to composition harbors their recognized style, whilst showing a progression as serious songwriters. for the release of the ep the band has been working with producers such as clive langer (madness) and charlie hugall (florence and the machine).

alan abrahams is portable and this is his second 12inch for perlon. a pretaste of his forthcoming album, expected sometime in 2011 through this channel. after spending some time in london and berlin, alan recently moved to lisbon, where he continuously works on his very own definition of house. while the a-side, life magically is a stripped down mental monster, the b-side offers the perfect love song entitled >find me<.its all about soul and if you have the chance, we highly recommend portables current live show, its a trip!

finlands 501 made his name writing smashers for labels such as chase & status imprint more than alot, but this plate on black acres dancefloor subsidiary will confound all expectation. >short circuit< marries synthetic pop production with dancefloorsensibilities and adds a dash of pure cheek for good measure. an intro of vibrant chords, talkbox vocals and live electric bass sets up the naughtiest of drops - skipping jazzy beats, switching synth edits and snippets of turntablism, all shoe-horned over an enormous warping bassline.

one year later the label panacustica delivers a slamming second twelve inch rats mother followed by a brilliant prins thomas remix, plus a detroit inspired instrumental by stay gold, argentoÆs alter ego. the record opens with a dreamy version where a plucked string intro and rats voice drive you into a deep, cinematic, adult dance groove. this laid back, psychedelic track flows well beyond your usual dance floor act into eno-esque territories. prins thomass mix is faster, happier and jumpier. its an amazing balearic trip with a live warm feel to it in which a guitar plays along the melody, accentuating the spaced out feel of the track, lifting it into higher states. stay gold gives the listeners a techno version where sparse, mechanical drums and a minimized melody take us to the motor city (citta dei motori) for a night drive in the dark. own it, feel it, play it loud.

mistanomista is a musical and social project, the main purpose of the group is focusing peoples attention on regaining peace in tajikistan. friends will be friends!. >detroit session< is a tribute to 313 house scene strongly influenced by moodymans music, live funky bassline and jazzy chords mixed together with smooth broken house drum patterns, raw deepness and timeless music for sunday morning party. on the other side >take 1< catch the attention of deep house heads a stunning bassline track with synth dubby texture effected with many echo-delay shots, keeping the vibe on the underground side of house music.

the something vinyl series continues this time with seductive house tunes and deep moments for the dancefloor and places beyond. five tracks and four bonus loops makes this the next typical warm vibrating something record, you have probably already expected. as the title suggests, its not a perfect clean and faultless production. there is the dirt and a sound inhabitant, for what stl records are well known for. experimentations in the worlds of hardware based tone generators and at the limits of analog signal processors. the tracks also deliberately dispense much static computer arrangements and were recorded mostly in live sessions to capture the actual feeling for each song. every being is a universe of its own, with all it s known and unknown places. there are mistakes and inner strangers which are made to learn and grow. this record is a recent snapshot from someones life, where the love for music and sound is maybe the most beautiful mystery!

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

hey today! are the phenomenal groundbreaking production, dj and live duo raik krause and robert nickel who share studio rooms with digitalism in a hamburg based world war ii bunker.
hey today! have tweaked various legendary tunes on hipster labels such as kitsune (paris), bang gang (sydney) and on tigas canadian label turbo, followed by strong remixes for people like boys noize, zombie nation, tiga, empire of the sun, digitalism, shazam, moonbootica and others.
the current single >strange< is continuing the story of the previous success with the - as edbanger busy p described it - lfo meets herbie hancock sounding single >talk to me< which was released on turbo and became one of the biggest tunes of 2010.
>strange< has now been signed to dr. lektroluvs label and will definitely become a very big tune too. the single will be released with strong remixes by boris dlugosch (who recently released the amazing >bangkok< on erol alkans label phantasy music), polymorphic (from proxys label mako) and gomma records labelhead munk (remember >la musica<!). for sure an amazing package!!

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

tremsch & metlzer aka martin maier & daniel fuchs have created their own style of music which is based on new school techno house.&#8232,,it is hard to find out which kind of music exactly has influenced these artists but similar to piemont they are merely occupied by their own world of music in their heads.&#8232,,,,,we are sure they have never heard of such warp legends as >sweet exorcist still their 3 tracks carry that northern industrial flavour and combine it with funk.&#8232,,>20 toes< as well as >head games< perfectly transport this spirit, whereas -development- feels housier with samples of child vocals and cut up reverse sounds that create an semi-acoustic feeling.&#8232,,support comes through a remix by mbf core member piemont who have remixed >head games< and have created through that a fabulous rough and crazy chicago track, that holds all the experience piemont have gained through playing live.

isomer transition, also known as rj valeo, is producer and live performer from brooklyn, new york. after producing for a many years, his productions caught the attention of the moodgadget label and then pheek from archipel. he has released on both imprints and both were well received and respected, songs in his discography have been featured on both maryanne hobbÆs the breezeblock and magdaÆs fabric compilation. musically, isomer transition wears many hats and he offers race car productions the most avante-garde and futuristic of his repertoire. from the bursting and driving communication breakdown to the playful melodies of yellow orange flowers, all the way to the deep and thoughtful composition of on the verge of a breakdown, isomer transitionÆs expert attention to the most exacting sonic details will be sure to inspire both mind and body

the loin brothers are long john saliva and dj silvio, two dashing farmers raised on strobe lighting, fuzz guitars and pork spare ribs. this is their second original single and follows on from heavy helmet, the mock & toof remixed single that caught the attention of aeroplane, ewan pearson and ivan smagghe with ivan featuring it on his live at robert johnson mix compilation. on this outing the loins have pruned, mowed, fertilized and watered their way through the studio to create the garden of vargulf. the original takes off with a thumping bass guitar, orchestral string leads, the odd desert wolf howl and a real guitar soloà with a guitar no less.